| M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| « Jan | Mar » | |||||
| 1 | 2 | 3 | ||||
| 4 | 5 | 6 | 7 | 8 | 9 | 10 |
| 11 | 12 | 13 | 14 | 15 | 16 | 17 |
| 18 | 19 | 20 | 21 | 22 | 23 | 24 |
| 25 | 26 | 27 | 28 | 29 | ||
At the beginning of the year I posted about Clear Tigers, a solid Brooklyn-based band that in my mind falls outside the mold, save, maybe, the Alec Ounsworth-like vocals. But the use of the synthesizer, the main source of melody on many of the tracks, is what has me coming back like pop stars to the crazy. I mean, the Philip Glass effect at the beginning of “Deathray” is calming enough that could fit the mood of a DeBeers commercial (certainly better than Cat Power did). I think Glass is actually a far better comparison than any indie act one might imagine… I would label the music ‘classical,’ in the sparing use of drums for songs like “Igloo.”