http://hearsay.alphaquam.com/2006/02/21/rademacher-spaceland/ don't you think that if we knew how we would have already? Sat, 22 Nov 2008 08:27:10 +0000 http://wordpress.org/?v=1.5.2 http://hearsay.alphaquam.com/2006/02/21/rademacher-spaceland/#comment-162 Tue, 14 Mar 2006 22:55:50 +0000 http://hearsay.alphaquam.com/2006/02/21/rademacher-spaceland/#comment-162 [...] Though Voxtrot’s pop-rock sound wasn’t as danceable, they made up for that with unabashedly nerdy energy. Lead singer, Ramesh bounced around the stage like an excited teenager rocking out alone in their bedroom. It helped to draw the crowd in though, and after they played a Talking Heads cover, “Heaven,” I realized his moves were akin to those of a young David Byrne, minus a bit of the Byrne’s smoothness. You know, I’ve been hearing a lot of Talking Heads covers recently. Well, good. They played a pretty even smattering of songs from the both EP’s. They actually played another cover, tacking on Comet Gain’s “You Can Hide Your Love Forever” to the end of “Raised by Wolves” (Gorilla vs Bear posted a live version from WOXY set here). The songs were consistantly good, but there is something really great about when the organ kicks in during the chorus and at the end of “Wrecking Force.” [...] […] Though Voxtrot’s pop-rock sound wasn’t as danceable, they made up for that with unabashedly nerdy energy. Lead singer, Ramesh bounced around the stage like an excited teenager rocking out alone in their bedroom. It helped to draw the crowd in though, and after they played a Talking Heads cover, “Heaven,” I realized his moves were akin to those of a young David Byrne, minus a bit of the Byrne’s smoothness. You know, I’ve been hearing a lot of Talking Heads covers recently. Well, good. They played a pretty even smattering of songs from the both EP’s. They actually played another cover, tacking on Comet Gain’s “You Can Hide Your Love Forever” to the end of “Raised by Wolves” (Gorilla vs Bear posted a live version from WOXY set here). The songs were consistantly good, but there is something really great about when the organ kicks in during the chorus and at the end of “Wrecking Force.” […]

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